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一直(🕕)作為米路斯(🆓)．(⛲)科曼劇本鐵(📒)三角（另(🔼)一(yī )位是帕(pà )培錫，也是本(běn )(🤢)片編劇之(🔧)一(🎗)）成員的艾雲(🌰)．巴薩，當然也走低(dī )度戲(xì )劇路線。同是音樂家的(de )彼(🚤)德與(⚫)卡(kǎ )洛(🕔)老(🔸)友重逢，生活狀況大不同(💆)，你(nǐ )有伴侶我有家庭，然而都有(yǒu )說不(bú )出的(✖)不(bú )明(míng )朗(lǎng )，唯有(🐶)以酒與音樂(🐖)代(dài )替口水。全片推(🧚)展不問目的，只(🛑)在(zài )剎那間的意圖，行(🎛)行企企(🥎)比起(qǐ )科曼更義無反(🐑)顧，卻有生(🌞)活淡如流(🙀)水的(de )詩意和繆思，叫觀眾聯(🧤)想到二十年(nián )後(😍)的伊力．(🏯)盧馬。巴薩鍾(zhōng )愛音樂的(de )(⚾)程(🕯)度不下(xià )於文字和電(💹)影，古典音(yīn )樂與民間(jiān )(🐾)音(yīn )樂於全片迴轉迴盪(dàng )，難怪成(chéng )了奇(💅)斯洛夫斯基十大心(xīn )(🔈)愛電影(💿)之一。 (📧) 康(kāng )城影(yǐng )展青年評審(🥤)團獎，美國全國影評人協會特別獎(🔙) (🆙)這部1966年的珍(zhēn )品，是捷克新(🕕)浪(😳)潮短暫生命中(zhōng )最佳作(zuò )(🛃)品之一。成(chéng )名音樂家到小鎮(zhèn )探(tàn )訪舊同學，舊同(tóng )學是個窮音樂教師，有時在喪禮上(shàng )(🐱)吹奏樂曲。平凡的素(💨)材在(zài )巴(bā )素手(shǒu )裡，變出風趣(qù )復罕見(jiàn )的旋(xuán )律(lǜ )，一部(bù )憂鬱的喜劇，或灰(🏗)色喜劇。 (🦐) (🏁)- Dave Kehr, Chicago Reader (🔂) (🔰) (🍂) Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. (🍓) Special Award, National Society of Film Critics Awards (💒) Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. (🆒) (👪) (✔)- Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
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