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一直作為米路斯(sī )．科曼劇本(běn )(📼)鐵三角（(🍩)另(lìng )一位是帕培錫，也是本片(🤴)編劇(🎺)之一）成(chéng )員(🥈)的艾雲．(🍖)巴(bā )薩(sà )，當然也走低度戲(🌫)劇(👋)路線。同(tóng )是音樂家的彼德與(⚫)卡洛(🕔)老(lǎo )友重逢，生活狀(🕖)況大不(🙍)同，你有伴侶我(wǒ )有(yǒu )家庭，然而(🎿)都(dōu )(🎫)有(yǒu )說(🗑)不出(chū )的不(🙁)明朗(lǎng )，唯有以(yǐ )酒與音樂代(dài )替口水(shuǐ )。全片推展不問目的(📯)，只在剎那(nà )間的意圖，行行企企(🥎)比(bǐ )(🥔)起科曼更義(yì )無反顧，卻有(🤸)生活淡如(rú )流水(shuǐ )(🙉)的(💪)詩意(yì )和繆思，叫(jiào )觀眾聯(lián )想到(🚻)二十年(nián )後(hòu )的(💠)伊力．盧馬。巴薩鍾(🧟)愛(ài )音樂的程度(dù )不下(xià )於(yú )(🤘)文字和(hé )(💝)電影，古典(🍑)音樂與民間音樂於全片迴(🐛)轉迴盪(dàng )，難怪成了奇(qí )斯洛夫斯(sī )(📟)基(🐩)十大心愛電(diàn )影之(zhī )一。 (📧) (😙)康城影(yǐng )展青年評審團獎，美國(guó )全(quán )(🐞)國(🍽)影評人(🏴)協會特別獎 (🌱) (👄) (🐖) (🆙)這部1966年(nián )的珍(zhēn )品(🚽)，是捷克(kè )(👛)新浪潮(cháo )(👗)短暫生(shēng )命(🍺)中最(🐂)佳作(🛃)品之一。成名音樂家(jiā )到小鎮(zhèn )探訪(fǎng )舊(🍹)同學，舊同學是個(🔮)窮音樂(lè )教師，有時在喪(🚪)禮上吹奏樂曲。平凡的素(💨)材在巴(🛃)素手裡，變出(chū )風趣復(👆)罕見的旋律，一部憂鬱的(🏖)喜劇(jù )，或灰色(sè )喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice (👚) Source HKIFF Czech New Wave 2006
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